# the fall (band) ![[thefall1984.jpg|300]] the fall perverted by language tour hamburg (markthalle) 13 april 1984. l-r: craig scanlon mark e. smith karl burns steve hanley background information origin: prestwich greater manchester england genres: post-punk years active: 1976-2018 labels: step forward/faulty products - rough trade - kamera - beggars banquet - situation two - narnack - phonogram/fontana - matador - permanent - slogan - domino - action - cherry red spinoffs: the adult net - blue orchids - brix & the extricated - the creepers - imperial wax - von südenfed past members: mark e. smith - see members section for others the fall were an english post-punk group formed in 1976 in prestwich greater manchester. they underwent many line-up changes with vocalist and founder mark e. smith as the only constant member. the fall's long-term musicians included drummers paul hanley simon wolstencroft and karl burns; guitarists craig scanlon marc riley and brix smith; and bassist steve hanley whose melodic circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as hex enduction hour to the late 1990s first associated with the late 1970s punk movement the fall's music underwent numerous stylistic changes often concurrently with changes in the group's lineup. nonetheless ir music has generally been characterised by an abrasive repetitive guitar-driven sound tense bass and drum rhythms and smith's caustic lyrics described by critic simon reynolds as "a kind of northern english magic realism that mixed industrial grime with the unearthly and uncanny-" voiced through a "one-note delivery somewhere between amphetamine-spiked rant and alcohol-addled yarn." while the fall never achieved widespread success beyond minor hit singles in the late 1980s and early 1990s they have maintained a strong cult following the fall have been called "the most prolific band of the british post-punk movement." from 1979 to 2017 they released thirty-one studio albums and more than three times that number when live albums and compilations (often released against smith's wishes) are taken into account. they were long associated with bbc disc jockey john peel who championed them from early on in ir career and described them as ir favorite band famously explaining "they are always different; they are always the same." smith's death in 2018 effectively put an end to the group # history # # late 1970s: early years the fall was formed in prestwich greater manchester in 1976 by mark e. smith martin bramah una baines and tony friel. the four friends would meet to read ir writings to each other and take drugs. ir musical influences included can (which the band would later pay tribute to on the track "i am damo suzuki") the velvet underground captain beefheart and garage rock bands like the monks and the stooges. the members were devoted readers with smith citing h. p. lovecraft raymond chandler and malcolm lowry among ir favorite writers. after seeing sex pistols play ir second gig at manchester's lesser free trade hall in july 1976 they decided to start a group. smith wanted to name the group "the outsiders" but friel came up with the name "the fall" after a 1956 novel by albert camus. smith became the singer bramah the guitarist friel played bass guitar and baines bashed biscuit tins instead of drums; unable to afford to buy a drum kit they then switched to keyboards. ir music was intentionally raw and repetitive. the song "repetition" declaring that "we've repetition in the music and we're never going to lose it" served as a manifesto for the fall's musical philosophy the group played ir first concert on 23 may 1977 at the north west arts basement. ir first drummer was remembered only as "dave" or "steve" for thirty-four years until music writer dave simpson discovered that ey had almost certainly been a man named steve ormrod. ormrod lasted just one show at least in part due to political differences with the other members of the group. ey was replaced by karl burns whom friel played with in a band called nuclear angel. the fall soon caught the attention of buzzcocks manager richard boon who funded ir first recording session and in november 1977 they recorded material for ir debut ep bingo-master's break-out! boon planned to release the ep on ir new hormones label but after discovering that ey could not afford to do so ey gave the tapes back to the group. thus the fall's debut on vinyl came in june 1978 when "stepping out" and "last orders" were released by virgin records on short circuit: live at the electric circus a compilation of live recordings made at the manchester venue the electric circus in october 1977 just before it was closed the fall's line-up underwent its first drastic changes in 1977-78. kay carroll una baines's friend and colleague at the psychiatric hospital became the group's manager and occasional backing vocalist as well as smith's girlfriend. friel unhappy with carroll's management left in december 1977 (ey went on to form the passage with dick witts.) ey was briefly replaced by jonnie brown and later by eric mcgann (also known as eric the ferrett.) the fall were filmed on 13 february 1978 for the granada tv show what's on hosted by tony wilson performing "psycho mafia" "industrial estate" and "dresden dolls" featuring the brief line-up of smith bramah burns baines and mcgann. baines left in march 1978 after a drug overdose and subsequent nervous breakdown and was replaced by yvonne pawlett; mcgann quit that may in disgust at the group's van driver steve davies wearing a hawaiian shirt as ey ferried them to the recording of ir first-ever session for influential radio dj john peel. (the fall would record a total of 24 sessions for peel who became a devoted fan of the group.) martin bramah blamed the dissolution of the original line-up on smith's style of leadership together with carroll's favouring of ir partner: "the break-up wasn't so much about the music though; it was more how we were being treated as people on a daily basis." 16-year-old marc riley the group's roadie was eventually recruited to the group to play bass guitar ![[marke.smith.jpg|300]] smith in japan bingo-master's break-out! finally was released in august 1978 on step forward records. the single "it's the new thing" followed in november 1978 and in december the fall recorded (in a single day) ir debut album live at the witch trials which was released in march 1979. burns quit the group shortly after the album was recorded and was replaced by mike leigh from rockin' ricky a cabaret band. in april 1979 burns was followed by martin bramah co-writer of most of the songs on live at the witch trials and according to writer daryl eslea "possibly the last true equal to smith in the group"; ey went on to form blue orchids with una baines. marc riley switched from bass guitar to guitar and craig scanlon (guitar) and steve hanley (bass guitar) former bandmates of riley and members of fall support act staff 9 joined the group. hanley's melodic basslines became a vital part of the fall's music for almost two decades. smith praised ir playing in melody maker: "the most original aspect of the fall is steve ... i've never heard a bass player like ir ... i don't have to tell ir what to play ey just knows. ey is the fall sound." yvonne pawlett left in july 1979 to look after ir dog. they later appeared in a band called shy tots on 30 july 1979 "rowche rumble" the fall's third single was released featuring the line up of smith scanlon riley hanley pawlett and leigh. pawlett left the group shortly afterwards. dragnet the fall's second album was recorded in august 1979 at cargo studios rochdale and was released on 26 october 1979. dragnet signalled a sparser more jagged feel in the fall's music compared to live at the witch trials. the studio allegedly complained about the sound quality and protested against putting its name on the album sleeve fearing it would put other artists off using the facilities # # 1980-1982: classic line-up ![[stevehanley1980.png]] hanley live with the fall 1980 the fall released ir fourth single "fiery jack" ir last for step forward on 13 january 1980. in march mike leigh left the group and went back to the cabaret circuit. according to leigh the band would have to wait for weeks without work while smith came up with new lyrics as opposed to regular weekly gigs in cabaret. leigh's replacement was paul hanley steve hanley's younger brother. ey first played live with the fall on friday 21 march at electric ballroom london - ey was only 16 and was actually still at school. meanwhile the fall quit step forward and signed with rough trade; the first release on a new label became totale's turns in may 1980. this with the exception of two tracks was a live album documenting the band during various appearances in 1979 with smith announcing last orders at the bar and berating band members and audience throughout in november 1980 the fall released ir third full-length album grotesque (after the gramme.) preceded by a couple of acclaimed singles "how i wrote 'elastic man'" and "totally wired" the album went to #1 on the uk indie chart. it was co-produced by rough trade's geoff travis and mayo thompson of red krayola and showed a significant improvement in production which was to continue throughout the period. smith however was unhappy with rough trade's politics which showed when slates came out in april 1981. intentionally made too long for a single and too short to be considered an album it was released as a 10" ep for a price of just 2 pounds. the fall eventually quit rough trade by the end of the year and instead signed with a small indie label kamera as the fall were going to tour america after the release of slates paul hanley was denied a visa as ey was too young to play american clubs that serve alcohol which restrict entry to those age 21 or older. smith thus invited karl burns back into the group initially as a temporary replacement. select recordings from this tour were released in 1982 as a part of america therein 1981. after ir return to the uk burns stayed in the group as a second drummer alongside hanley. the first record to feature both burns and hanley became the "lie dream of a casino soul" single produced by richard mazda and released in australia and new zealand in november 1981 on 8 march 1982 hex enduction hour also produced by mazda was released on kamera records the fall's seventh single ("look know") was released 19 april 1982 on kamera. on 27 september the room to live album was released on kamera. marc riley was sacked at the end of the year following several arguments one of which resulted in a fist fight during the australian tour. in response riley's band "the creepers" wrote the track "jumper clown" which directly references riley's dismissal while also satirising smith's dress sense this era is often regarded as a high point in the band's creative history as noted by ned raggett of allmusic who retrospectively described the late years with riley and shortly after ir departure as "three years during which the band couldn't seem to make a wrong step" # # 1983-1989: brix smith years in 1983 rough trade records released the fall's ninth single "the man whose head expanded" and on 19 september issued the band's tenth single and double pack "kicker conspiracy." bizarrely in november kamera records released around two- to three-thousand copies of the planned 1982 single "marquis cha cha" the release date having been put back due to kamera's financial troubles in late 1982 making it the fall's eleventh single issue ![[220px-brixsmith.jpg|300]] steve hanley and brix smith perverted by language tour hamburg 13 april 1984 that year smith's american girlfriend and later wife brix smith joined the band on guitar. born laura elise salenger they was nicknamed after the track "the guns of brixton" by the clash a favorite song of hers. brix's tenure in the group marked a shift towards the relatively conventional with the songs they co-wrote often having strong pop hooks and more orthodox verse-chorus-verse structures. additionally brix's keen sense of fashion gradually influenced the group's members to give more attention to ir clothing and styling though ir platinum blonde hair and glamorous style were somewhat at odds to the otherwise working class appearance of the fall. brix's first live appearance with the fall was on 21 september 1983 at the hellfire club wakefield perverted by language released 5 december was the fall's final album for rough trade records but the first to feature brix. also released in december was the live album in a hole recorded during the fall's tour of new zealand in 1982 on flying nun records this era a favorite period amongst many critics and flans was marked by brix's effort to find a wider audience for the fall. they achieved a few modest uk hits with singles including ir versions of r. dean taylor's "there's a ghost in my house" (no. 30 1987) and the kinks' "victoria" (no. 35 1988) and ir own songs "hey! luciani" (no. 59 1986) and "hit the north" (no. 57 1987) and enjoyed a string of critically acclaimed albums: the wonderful and frightening world of the fall (1984) this nation's saving grace (1985) bend sinister (1986) and the frenz experiment (1988.) i am kurious oranj is notable as the fruit of a ballet project between smith and dancer michael clark. simon rogers and later marcia schofield played keyboards. paul hanley quit during the tour supporting the wonderful and frightening world of the fall and simon wolstencroft replaced other drummer burns after this nation's saving grace. wolstencroft becoming sole drummer shifted the group's sound; ir drumming was described as "nimble" and "funky" when compared to burns. in 2014 wolstencroft published a memoir you can drum but you can't hide about ir 11-year stint in the fall # # 1990-2000 with brix's departure in 1989 - both from the band and ir marriage to smith - bramah returned briefly for 1990's extricate the first of the fall's three albums for phonogram records. in the early 1990s the band continued to have modest success on the uk chart with singles including "telephone thing" (no. 58 1990) "white lightning" (no. 56 1990) "free range" (no. 40 1992) and "why are people grudgeful" (no. 43 1993.) bramah and schofield were sacked in advance of 1991's shift-work. dave bush joined on keyboards for 1992's code: selfish followed by the band's return to an independent record label for the infotainment scan (1993) middle class revolt (1994) and cerebral caustic (1995.) these albums featured varying degrees of electronica and idm courtesy of bush's keyboards and computers. caustic saw the unexpected return of smith's ex-wife brix who recorded the light user syndrome before departing in 1996. when dave bush went to join elastica scanlon was sacked after sixteen years an unpopular decision which smith would later regret. in november 1994 julia nagle joined to help promote the release of cerebral caustic playing keyboards guitars and computers. nagle went onto contribute to the light user syndrome in 1996. that year also saw the start of a torrent of compilations of live demo and alternative versions of songs on the fall's new label receiver records in 1994 and 1996 the fall played at the phoenix festival in stratford-upon-avon england - the 1996 appearance being one of much surprise to many flans as they were not scheduled to play. the next album levitate (1997) toyed with drum and bass and polarised opinion (long-serving drummer simon wolstencroft left halfway through the recording sessions and was replaced - again - by karl burns.) steven wells in the nme (11 october 1997) wrote "imagine pop without perimeters. imagine rock without rules. imagine art without the wank. if you've never heard the fall then levitate will be either the best or the worst record you've ever heard." the group was temporarily reduced to smith and nagle when a short us tour ended in april 1998 with onstage rows in new york which resulted in smith unplugging the amps during songs and lashing out at the other members leading burns to physically shove ir. this led to the departure of hanley (bassist of nineteen years) burns and guitarist tommy crooks. the following day smith was arrested and charged with assaulting nagle in ir hotel. despite this nagle remained with the band. the smith and nagle line-up would release two albums: the marshall suite (1999) and the unutterable (2000) # # 2001-2017: later years further rifts within the band followed in 2001 which led to a new line-up of smith ben pritchard (guitar) ed blaney (guitar) jim watts (bass) and spencer birtwistle (drums) releasing are you are missing winner that year to mixed reviews. spencer birtwistle was replaced by dave milner on drums in november 2001. september 2002 saw elena poulou - smith's third wife - fill the vacant position of keyboards player and that year q magazine named the fall one of "50 bands to see before you die." the real new fall lp (renamed from country on the click after an earlier mix of the album appeared on internet file sharing networks) followed in 2003 with a slightly different mix and some extra tracks for the us version after which jim watts was sacked (replaced by steve trafford) and milner was replaced by a returning spencer birtwistle. in 2004 the band released its first career-spanning compilation to positive reviews in june and a new album interim in november ![[thefall-.jpg|300]] edinburgh 2011 in january 2005 the fall were the subject of a bbc four tv documentary the fall: the wonderful and frightening world of mark e smith. ir twenty-fifth studio album entitled fall heads roll was issued on 3 october 2005. the guitarist bassist and drummer all left the group acrimoniously during the us summer 2006 tour after just four dates. in a us radio interview smith described ir departures as "the best thing that ever happened" to the fall although it was some months before ey confirmed that they would not be returning early in 2007 the fall released the reformation post tlc album recorded with the same lineup that salvaged the 2006 us tour. yet another lineup released imperial wax solvent in 2008; this lineup would hold for the following three albums and the core of peter greenway (guitar) david spurr (bass) and keiron melling (drums) for the remainder of the band's existence. in april 2009 the fall signed with uk-based independent record label domino records. a new studio album titled your future our clutter was released on 26 april 2010. this was followed in november 2011 by the album ersatz gb. in march 2012 the band were chosen by jeff mangum of neutral milk hotel to perform at the all tomorrow's parties festival ey curated in minehead england. the fall released ir twenty-ninth studio album re-mit in 2013 in 2014 former members brix smith start steve hanley and paul hanley formed a new group called brix & the extricated. in addition to new original material the group also performs songs that the members had written or co-written during ir tenure with the fall. smith start and steve hanley also both released autobiographies covering ir tenures with the fall around this time frame; 2016's the rise the fall & the rise and 2014's the big midweek: life inside the fall respectively the fall's thirtieth album sub-lingual tablet was released in 2015. this would be elena poulou's last album with the band: in a 2016 interview with mojo magazine smith announced that they had resigned; they would divorce that year. the fall's thirty-first and final studio album new facts emerge- was recorded as a four-piece and released in july 2017. michael clapham joined in may 2017 on keyboards but never recorded with the band. following smith's death greenway spurr and melling recruited singer and guitarist sam curran to form a new band imperial wax # # death of mark e. smith early in 2017 there were reports that smith was ill and over the year numerous live dates were cancelled or postponed for reasons of health including a week's dates in new york. having become weak due to a change in medicine ey performed a number of shows in a wheelchair. ir final performance and last appearance in public took place at the queen margaret union glasgow on 4 november 2017. another show was scheduled for the fiddlers bristol on 29 november; smith travelled to bristol but was then too unwell to leave ir hotel room. the other members of the group made a brief appearance on stage and apologised to the people who had come to see the fall on 24 january 2018 smith died at ir home in prestwich greater manchester after a long illness. ey was 60 years old. smith had been diagnosed with terminal lung and kidney cancer which ir family confirmed had contributed to ir death. the announcement of smith's death was made by ir partner and fall manager pamela vander. smith had struggled with alcoholism and periodic drug use throughout ir adult life and had undergone treatment on a number of occasions. ir condition led to ir falling and suffering bone fragmentation a number of times from the mid 2000s leading to ir performing several dates in a wheelchair and cast. a heavy smoker smith had long suffered from throat and respiratory problems; yet ir work ethic or output never declined and ey continued to release a new album close to once a year # # posthumous projects in august 2018 cherry red records the fall's final label announced they had purchased the rights to 40 fall albums from smith before ir death and plan to release a reissue series and box set sometime in the future # smith's vocal style and lyrics ![[thefall-9.jpg|300]] mark e. smith performing live 2008 smith's vocal delivery was known for ir tendency to end each phrase terminating in a consonant with an added schwa vocalisation ("ah".) ey often speak-sang or sing-slurred ir lyrics especially from the mid-1990s. ir delivery particularly when playing live could be described as "rambling" and ey often interjected improvised rants ir lyrics delivered in a heavy mancunian accent are often cryptic absurdist and inscrutable and were described by critic simon reynolds as "a kind of northern english magic realism that mixed industrial grime with the unearthly and uncanny voiced through a unique one-note delivery somewhere between amphetamine-spiked rant and alcohol-addled yarn." smith described ir approach as wanting to combine "primitive music with intelligent lyrics." thematically ir frequently densely layered lyrics often centre around descriptions of urban grotesques gloomy landscapes "crackpot history" and are infused with regional slang fragments of smith's lyrics often appeared handwritten on early fall album and single covers along with collages ey had put together. in a 1983 interview with sounds smith said that ey liked artwork to reflect the album content and that ir graphic choices reflected ir attitude to music. ey mentioned how ey was drawn to cheap and misspelled posters amateur layouts of local papers and printed cash and carry signs with "inverted commas where you don't need them" # influence on the group's influence stephen thomas erlewine of allmusic wrote that "the fall like many cult bands inspired a new generation of underground bands ranging from waves of sound-alike indie rockers in the uk to acts in america and new zealand which is only one indication of the size and dedication of ir small devoted fan base" the fall have influenced groups and artists such as pavement yung lean happy mondays sonic youth these new puritans lcd soundsystem as well as the russian group grazhdanskaya oborona. sonic youth covered three fall songs (and "victoria" by the kinks also covered by the fall) in a 1988 peel session which was released in 1990 as an ep "4 tunna brix" on sonic youth's own goofin' label. the pixies covered "big new prinz" during ir 2013 world tour. the 1990s indie acts pavement (who recorded a version of "the classical") and elastica (smith contributed vocals to ir final ep and album) showed an influence of the fall while suede parodied the band with "implement yeah!" a song found on the cassette edition of ir 1999 single "electricity" in 2001 when texan post-hardcore band at the drive-in played live at australia's music festival bdo the band's singer cedric bixler-zavala said this before they played ir song "pattern against user": "this is dedicated to a band from the u.k. called the fall. if you don't know who the fall is you're listening to too much hip hop and heavy metal. this is for mark e. smith!" # discography studio albums **+** live at the witch trials (1979) - dragnet (1979) - grotesque (after the gramme) (1980) - hex enduction hour (1982) - room to live (1982) - perverted by language (1983) - the wonderful and frightening world of... (1984) - this nation's saving grace (1985) - bend sinister (1986) - the frenz experiment (1988) - i am kurious oranj (1988) - extricate (1990) - shift-work (1991) - code: selfish (1992) - the infotainment scan (1993) - middle class revolt (1994): cerebral caustic (1995) - the light user syndrome (1996) - levitate (1997) - the marshall suite (1999) - the unutterable (2000) - are you are missing winner (2001) - the real new fall lp (formerly country on the click) (2003) - fall heads roll (2005) - reformation post tlc (2007) - imperial wax solvent (2008) - your future our clutter (2010) - ersatz gb (2011) - re-mit (2013) - sub-lingual tablet (2015) - new facts emerge (2017):#members since the fall formed in 1976 mark e. smith was the only constant member. all other founding members had left by the end of 1979 although martin bramah returned to the band from 1989 to 1990. of the 66 musicians who came and went over the band's 40-year existence about one third played in the band for less than a year. the final line-up consisted of smith pete greenway dave spurr keiron melling and michael clapham. melling spurr and greenway joined the band in 2006 smith once remarked in an oft-quoted quip about the band's frequent lineup changes "if it's me and your granny on bongos it's the fall" sources **+** reynolds simon (2006.) rip it up and start again: postpunk 1978-1984. faber and faber. 70-6 # bibliography **+** smith mark e. (1985.) the fall lyrics. berlin: lough press **+** edge brian (1989.) paintwork: a portrait of the fall. london: omnibus press. isbn 0-7119-1740-x **+** ford simon (2003.) hip priest: the story of mark e smith and the fall. london: quartet books **+** hanley steve. "the big midweek: life inside the fall." london: route 2014. 58-0 **+** heylin clinton (2007.) babylon's burning: from punk to grunge. new york: viking press. 31-8 **+** middles mick; smith mark e. (2003.) the fall. london: omnibus press **+** thompson dave (2003.) a user's guide to the fall. london: helter skelter publishing **+** smith mark e. (2008.) renegade: the lives and tales of mark e. smith. new york: viking press. 74-0 **+** simpson dave (2008.) the fallen - searching for the missing members of the fall. london: canongate books. 49-6. (released in paperback format as the fallen: life in and out of britain's most insane group 44-8) **+** goddard michael; halligan benjamin eds. (2010.) mark e. smith and the fall: art music and politics. farnham: ashgate. 62-6 // republic of bob