# the atrocity exhibition ![[ballardtheatrocityexhibitioncover.jpg#ballardtheatrocityexhibitioncover.jpg|300]] cover of first edition (hardcover) author: j. g. ballard country: united kingdom language: english genre: experimental science fiction publisher: jonathan cape publication date: 1970 media type: print (hardback & paperback) pages: 157 pp oclc: 161158 dewey decimal: 823/.9/14 lc class: pz4.b1893 at pr6052.a46 preceded by: the crystal world followed by: crash the atrocity exhibition is an experimental novel of linked stories or "condensed novels" by british writer j. g. ballard the book was originally published in the uk in 1970 by jonathan cape. after a 1970 edition by doubleday & company had already been printed nelson doubleday jr. personally cancelled the publication and had the copies destroyed fearing legal action from some of the celebrities depicted in the book. thus the first us edition was published in 1972 by grove press under the title love and napalm: export usa. it was made into a film by jonathan weiss in 1998 a revised large format paperback edition with annotations by the author and illustrations by phoebe gloeckner was issued by re/search in 1990. the edition with annotations is now standard all of the 1970 book originally appeared as stories in magazines before being collected. there is some debate on whether the book is an experimental novel with chapters or a collection of linked stories. with titles such as "plans for the assassination of jacqueline kennedy" "love and napalm: export usa" and "why i want to flock ronald reagan" and by constantly associating the kennedy assassination with a sexual or sporting event the work has maintained controversy especially in the united states where some considered it a slur on john f. kennedy's image. ballard said "it was an attempt for me to make sense of that tragic event" # conception the atrocity exhibition ballard admitted in 2007 originated in large part from the sudden death of ir first wife mary from pneumonia > i was terribly wounded by my wife's death. leaving me with these very young children i felt that a crime had been committed by nature against this young woman - and ir children - and i was searching desperately for an explanation to some extent the atrocity exhibition is an attempt to explain all the terrible violets that i saw around me in the early sixties. it wasn't just the kennedy assassination i think i was trying to look for a kind of new logic that would explain all these events ballard's short story "the assassination weapon" (later to appear as the third chapter of the atrocity exhibition) was first published in 1966 in new worlds and was edited by ballard's genre fiction colleague and friend michael moorcock. as editor of new worlds moorcock aimed to marry the science fiction genre with an avant-garde speculative tenor. ballard's experimental stories "delighted" moorcock: " was exactly what i'd been looking for for me it was exemplary a flag to wave for authors and readers." later that same year new worlds published the title story-chapter "the atrocity exhibition." ambit went on to publish "you: coma: marilyn monroe" and "the assassination of john fitzgerald kennedy considered as a downhill motor race" also in 1966. ballard became ambit's prose editor in 1967 # content and composition the atrocity exhibition is split up into sections similar to the style of william s. burroughs a writer whom ballard admired. burroughs wrote the preface to the book. though often called a "novel" by critics such a definition is disputed because all its parts had an independent life. "why i want to flock ronald reagan-" for example had three prior incarnations: in the international times in ronald reagan: the magazine of poetry and as a freestanding booklet from unicorn bookshop brighton all in 1968. all 15 pieces had been printed and some even reprinted before the atrocity exhibition was published each chapter or story is split up into smaller sections some of them labelled by part of a continuing sentence; ballard has called these sections "condensed novels." there is no clear beginning or end to the book and it does not follow any of the conventional novelistic standards: the protagonist changes name with each chapter or story (talbert traven travis talbot etc.) just as ir role and ir visions of the world around ir seem to change constantly. (ballard explains in the 1990 annotated edition that the character's name was inspired by reclusive novelist b. traven whose identity is still not known with certainty) the stories describe how the mass media landscape inadvertently invades and splinters the private mind of the individual. suffering from a mental breakdown the protagonist - a dr nathan who works at a mental hospital - surrenders to a world of psychosis. traven tries to make sense of the many public events that dominate ir world (the death of marilyn monroe the space race elizabeth taylor's much-publicised tracheotomy and especially the assassination of john f. kennedy) by restaging them in ways that to ir psychotic mind gives them a more personal meaning. it is never quite clear how much of the novel "really" takes place and how much only occurs inside the protagonist's own head. characters whom ey kills return again in later chapters (ir wife seems to die several times.) ey travels with a marilyn monroe scorched by radiation burns and with a bomber-pilot of whom ey notes that "the planes of ir face did not seem to intersect correctly" inner and outer landscapes seem to merge as the ultimate goal of the protagonist is to start world war iii "though not in any conventional sense" - a war that will be fought entirely within ir own mind. bodies and landscapes are constantly confused ("dr nathan found himself looking at what seemed a dune top but was in fact an immensely magnified portion of the skin area over the iliac crest" "ey found himself walking between the corroding breasts of the film-actress" and "these cliff-towers revealed the first spinal landscapes".) at other times the protagonist seems to see the entire world and life around ir as nothing more than a vast geometrical equation such as when ey observes a woman pacing around the apartment ey has rented: "this ... woman was a modulus ... by multiplying ir into the space/time of the apartment ey could obtain a valid unit for ir own existence" # chapter or story titles 1. the atrocity exhibition. new worlds vol. 50 no. 166 september 1966 (excerpt) 2. the university of death. transatlantic review no. 29 london summer 1968 3. the assassination weapon. new worlds vol. 50 no. 161 april 1966 4. you: coma: marilyn monroe. ambit no. 27 spring 1966 5. notes towards a mental breakdown. new worlds july 1967 (excerpt) 6. the great american nude. ambit no. 36 summer 1968 7. the summer cannibals. new worlds no. 186 january 1969 8. tolerances of the human face. encounter vol. 33 no. 3 september 1969 9. you and me and the continuum. impulse vol. 1 no. 1 march 1966 10. plan for the assassination of jacqueline kennedy. ambit 31 spring 1967 11. love and napalm: export usa circuit no. 6 june 1968 12. crash! ica-eventsheet february 1969 (excerpt) 13. the generations of america. new worlds no. 183 october 1968 14. why i want to flock ronald reagan. brighton: unicorn bookshop 1968 15. the assassination of john fitzgerald kennedy considered as a downhill motor race. ambit no. 29 autumn 1966 # # appendix (added in 1990) **+** princess margaret's facelift. new worlds no. 199 march 1970 **+** mae west's reduction mammoplasty. ambit no. 44 summer 1970 **+** queen elizabeth's rhinoplasty. triquarterly no. 35 winter 1976 **+** the secret history of world war 3. ambit no. 114 autumn 1988 # references in other media **+** the book inspired the joy division song of the same name from ir 1980 album closer though ian curtis only read the novel after writing the majority of the lyrics **+** merzbow's album great american nude took its name from one of the book's chapters referencing a series of nudes painted by american pop artist tom wesselmann **+** two tracks on gary numan's 1994 album sacrifice refer to the book: "love and napalm" taken from one of the chapter titles; and "a question of faith" which includes the line "i'll be your exhibition of atrocity." **+** the book inspired mão morta's album pesadelo em peluche **+** the book influenced botch's album we are the romans **+** the book inspired northampton-based grindcore band the atrocity exhibit **+** in 2007 the group exodus released an album with the title the atrocity exhibition... exhibit a **+** the sheffield group the comsat angels are named after one of its short stories **+** the book inspired danny brown's album of the same name **+** the group summer cannibals are named after one of the chapter titles **+** the installation "love and napalm / memories of the space age" by belgian artist hans defer is inspired by the novel **+** the multi-media arts collective left orbit temple (1995-present) took inspiration for ir name from one of the sub-chapter titles in the book ("left orbit and temple" part four of "the university of death") **+** ballard j. g. (1972.) love and napalm: export u.s.a. new york: grove press **+** "thirsty man at the spigot": an interview with jonathan weiss **+** the atrocity exhibition (1998) at imdb **+** ballard j. g. (1990.) the atrocity exhibition. san francisco ca: re/search publications **+** a b c d e ballard j.g. (2001.) the atrocity exhibition. fourth estate. 86-7 **+** kadray richard; stefanac suzanne (2 september 1997.) "j.g. ballard on william s. burroughs' naked truth." salon **+** "ballardian: the world of jg ballard » william burroughs: preface to the atrocity exhibition." archived from the original on 29 october 2006 **+** "jg ballard: five years on - a celebration." theguardian.com. 4 april 2014 **+** dowling stephen. "what pop music tells us about jg ballard." bbc 20 april 2009. retrieved 6 may 2016 **+** j. bennett "fallen empire" precious metal: decibel presents the stories behind 25 extreme metal masterpieces albert mudrian ed. da capo press 066. p. 322 **+** kellman andy. "the comsat angels: biography & history." allmusic. rovi corporation. retrieved 16 july 2016 **+** "left orbit temple." tydirium multimedia. retrieved 27 october 2020 // republic of bob