# Sonny Rollins {#sonny-rollins .reader-title} :::: meta-data ::: {.reader-estimated-time l10n-args="{\"range\":\"39–49\",\"rangePlural\":\"other\"}" l10n-id="about-reader-estimated-read-time" dir="ltr"} 39--49 minutes ::: :::: ------------------------------------------------------------------------ ::::::::::::::: content :::::::::::::: {.moz-reader-content .reader-show-element} ::::::::::::: {#readability-page-1 .page} :::::::::::: {#mw-content-text dir="ltr" lang="en"} +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Sonny Rollins | +-----------------------------------------------------------------------------------------------------------------------------------------+ | {file-width="666" | | file-height="1000" height="375" width="250"} | | | | Rollins in 2011 | +-----------------------------------------------------------------------------------------------------------------------------------------+ | Background information | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Born | Walter Theodore Rollins | | | | | | \ | | | September 7, 1930 (age 95) | | | | | | New York City, U.S. | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Genres | <div> | | | | | | - Jazz | | | - hard bop | | | | | | </div> | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Occupations | <div> | | | | | | - Musician | | | - composer | | | - bandleader | | | | | | </div> | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Instruments | <div> | | | | | | - Tenor saxophone | | | - soprano saxophone | | | | | | </div> | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Years active | 1947--2014 | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Labels | <div> | | | | | | - Prestige | | | - Blue Note | | | - Contemporary | | | - RCA Victor | | | - Impulse! | | | - Milestone | | | - Doxy | | | - Okeh | | | - EmArcy | | | | | | </div> | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | \ | +--------------------------------------------------------------------+--------------------------------------------------------------------+ | Website | sonnyrollins.com | +--------------------------------------------------------------------+--------------------------------------------------------------------+ 'Walter Theodore' \"'Sonny'\" 'Rollins'^\[1\]\[2\]^ (born September 7, 1930)^\[3\]^ is a retired American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians.^\[3\]\[4\]^ In a seven-decade career, Rollins recorded more than sixty albums as a leader. A number of his compositions, including \"St. Thomas\", \"Oleo\", \"Doxy\", and \"Airegin\", have become jazz standards. Rollins has been called \"the greatest living improviser\".^\[5\]^ Due to health problems, Rollins has not performed publicly since 2012 and announced his retirement in 2014. Rollins was born in New York City to parents from the Virgin Islands.^\[6\]^ The youngest of three siblings, he grew up in central Harlem and on Sugar Hill,^\[7\]^ receiving his first alto saxophone at the age of seven or eight.^\[8\]^ He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem.^\[9\]^ Rollins started as a pianist, then switched to alto saxophone after being inspired by Louis Jordan and finally switched to tenor saxophone in 1946, influenced by his idol Coleman Hawkins. During his high-school years, Rollins played in a band with other future jazz legends Jackie McLean, Kenny Drew, and Art Taylor.^\[10\]^ <div> # Later life and career {#Later_life_and_career} \ </div> After graduating from high school in 1948,^\[11\]^ Rollins began performing professionally; he made his first recordings in early 1949 as a sideman with the bebop singer Babs Gonzales (trombonist J. J. Johnson was the arranger of the group). Within the next few months, he began to make a name for himself, recording with Johnson and appearing under the leadership of pianist Bud Powell, alongside trumpeter Fats Navarro and drummer Roy Haynes, on a seminal \"hard bop\" session. In early 1950, Rollins was arrested for armed robbery and spent ten months in Rikers Island jail before being released on parole; in 1952, he was re-arrested for violating the terms of his parole by using heroin. Between 1951 and 1953, he recorded with Miles Davis, the Modern Jazz Quartet, Charlie Parker, and Thelonious Monk. A breakthrough arrived in 1954 when he recorded his famous compositions \"Oleo\", \"Airegin\", and \"Doxy\" with a quintet led by Davis that also featured pianist Horace Silver, Percy Heath, and Kenny Clarke. These recordings appear on the album *Miles Davis with Sonny Rollins*. In 1955, Rollins entered the Federal Medical Center, Lexington.^\[12\]^ While there, he volunteered for then-experimental methadone therapy and was able to break his heroin habit, after which he lived for a time in Chicago, briefly rooming with the trumpeter Booker Little.^\[13\]^ Rollins initially feared sobriety would impair his musicianship, but then went on to greater success. Rollins briefly joined the Miles Davis Quintet in the summer of 1955.^\[14\]\[15\]^ Later that year, he joined the Clifford Brown--Max Roach quintet; studio albums *Clifford Brown and Max Roach at Basin Street* and *Sonny Rollins Plus 4* document his time in that band. After the deaths of Brown and band pianist Richie Powell in a June 1956 automobile accident, Rollins continued playing with Roach and began releasing albums under his own name on Prestige Records, Blue Note, Riverside, and the Los Angeles label Contemporary. His widely acclaimed album *Saxophone Colossus* was recorded on June 22, 1956, at Rudy Van Gelder\'s studio in New Jersey, with Tommy Flanagan on piano, former Jazz Messengers bassist Doug Watkins, and his favorite drummer, Roach. This was Rollins\'s sixth recording as a leader and it included his best-known composition \"St. Thomas\", a Caribbean calypso based on \"Hold Him Joe\" a tune sung to him by his mother in his childhood, as well as the fast bebop number \"Strode Rode\", and \"Moritat\" (the Kurt Weill composition also known as \"Mack the Knife\").^\[3\]^ A long blues solo on *Saxophone Colossus*, \"Blue 7\", was analyzed in depth by the composer and critic Gunther Schuller in a 1958 article.^\[16\]^ <div> <div> Improvisation from St. Thomas starting immediately after the melody </div> </div> In the solo for \"St. Thomas\", Rollins uses repetition of a rhythmic pattern, and variations of that pattern, covering only a few tones in a tight range, and employing staccato and semi-detached notes. This is interrupted by a sudden flourish, utilizing a much wider range before returning to the former pattern. (Listen to the music sample.) In his book *The Jazz Style of Sonny Rollins*, David N. Baker explains that Rollins \"very often uses rhythm for its own sake. He will sometimes improvise on a rhythmic pattern instead of on the melody or changes.\"^\[17\]^ Ever since recording \"St. Thomas\", Rollins\'s use of calypso rhythms has been one of his signature contributions to jazz; he often performs traditional Caribbean tunes such as \"Hold \'Em Joe\" and \"Don\'t Stop the Carnival\", and he has written many original calypso-influenced compositions, such as \"Duke of Iron\", \"The Everywhere Calypso\", and \"Global Warming\".^\[*[citation\ needed]{title="This claim needs references to reliable sources. (June 2023)"}*\]^ In 1956, Rollins recorded *Tenor Madness*, using Davis\'s group -- pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones. The title track is the only recording of Rollins with John Coltrane, who was also a member of Davis\'s group.^\[3\]^ At the end of the year, Rollins appeared as a sideman on Thelonious Monk\'s album *Brilliant Corners* and also recorded his own first album for Blue Note Records, entitled *Sonny Rollins, Volume One*, with Donald Byrd on trumpet, Wynton Kelly on piano, Gene Ramey on bass, and Roach on drums. In 1957, he married his first wife, actress and model Dawn Finney.^\[7\]^ That year, Rollins pioneered the use of bass and drums, without piano, as accompaniment for his saxophone solos,^\[18\]^ a texture that came to be known as \"strolling\". Two early tenor/bass/drums trio recordings are *Way Out West* and *A Night at the Village Vanguard*, both recorded in 1957. *Way Out West* was so named because it was recorded for California-based Contemporary Records (with Los Angeles drummer Shelly Manne), and because it included country and western songs such as \"Wagon Wheels\" and \"I\'m an Old Cowhand\".^\[19\]^ The Village Vanguard album consists of two sets, a matinee with bassist Donald Bailey and drummer Pete LaRoca and an evening set with bassist Wilbur Ware and drummer Elvin Jones. Rollins used the trio format intermittently throughout his career, sometimes taking the unusual step of using his sax as a rhythm section instrument during bass and drum solos. Lew Tabackin cited Rollins\'s pianoless trio as an inspiration to lead his own.^\[18\]^ Joe Henderson, David S. Ware, Joe Lovano, Branford Marsalis, and Joshua Redman led pianoless sax trios.^\[18\]^ While in Los Angeles in 1957, Rollins met alto saxophonist Ornette Coleman and the two of them practiced together.^\[20\]^ Coleman, a pioneer of free jazz, stopped using a pianist in his own band two years later. By this time, Rollins had become well-known for improvising based on relatively banal or unconventional songs (such as \"There\'s No Business Like Show Business\" on *Work Time*, \"Toot, Toot, Tootsie\" on *The Sound of Sonny*, and later \"Sweet Leilani\" on the Grammy-winning album *This Is What I Do*). Rollins acquired the nickname \"Newk\" because of his facial resemblance to Brooklyn Dodgers star pitcher Don Newcombe.^\[21\]^ {.moz-reader-block-img file-width="517" file-height="651" height="252" width="200"} In 1957, Rollins made his Carnegie Hall debut,^\[22\]^ and recorded again for Blue Note with J. J. Johnson on trombone, Horace Silver or Monk on piano and drummer Art Blakey (released as *Sonny Rollins, Volume Two*). That December, Rollins and fellow tenor saxophonist Sonny Stitt were featured together on Dizzy Gillespie\'s album *Sonny Side Up*. In 1958, Rollins appeared in Art Kane\'s *A Great Day in Harlem* photograph of jazz musicians in New York;^\[23\]^ he is the last surviving musician from the photo. The same year, Rollins recorded another landmark piece for saxophone, bass and drums trio: *Freedom Suite*. His original sleeve notes said: \"How ironic that the Negro, who more than any other people can claim America\'s culture as his own, is being persecuted and repressed; that the Negro, who has exemplified the humanities in his very existence, is being rewarded with inhumanity.\"^\[24\]^ The title track is a nineteen-minute improvised bluesy suite; the other side of the album features hard bop workouts of popular show tunes. Oscar Pettiford and Max Roach provided bass and drums, respectively. The LP was available only briefly in its original form, before the record company repackaged it as *Shadow Waltz*, the title of another piece on the record.^\[*[citation\ needed]{title="This claim needs references to reliable sources. (June 2023)"}*\]^ Following *Sonny Rollins and the Big Brass* (*Sonny Rollins Brass/Sonny Rollins Trio*), Rollins made one more studio album in 1958, *Sonny Rollins and the Contemporary Leaders*, before taking a three-year break from recording. This was a session for Contemporary Records and saw Rollins recording an esoteric mixture of tunes including \"Rock-a-Bye Your Baby with a Dixie Melody\" with a West Coast group made up of pianist Hampton Hawes, guitarist Barney Kessel, bassist Leroy Vinnegar and drummer Shelly Manne.^\[*[citation\ needed]{title="This claim needs references to reliable sources. (June 2023)"}*\]^ In 1959, Rollins toured Europe for the first time, performing in Sweden, the Netherlands, Germany, Italy, and France.^\[25\]^ <div> # # []{#Summer_1959.E2.80.93fall_1961:_The_Bridge}Summer 1959--fall 1961: The Bridge {#Summer_1959–fall_1961:_The_Bridge}   </div> By 1959, Rollins had become frustrated with what he perceived as his own musical limitations and took the first -- and most famous -- of his musical sabbaticals.^\[26\]^ While living on the Lower East Side of Manhattan, he ventured to the pedestrian walkway of the Williamsburg Bridge to practice, in order to avoid disturbing a neighboring expectant mother.^\[27\]^ Today, a fifteen-story apartment building named \"The Rollins\"^\[28\]^ stands on the Grand Street site where he lived.^\[29\]^ Almost every day from the summer of 1959 through the end of 1961, Rollins practiced on the bridge, next to the subway tracks.^\[30\]^ Rollins admitted that he would often practice for 15 or 16 hours a day, no matter what season.^\[31\]^ In the summer of 1961, the journalist Ralph Berton happened to pass by the saxophonist on the bridge one day and published an article in *Metronome* magazine about the occurrence.^\[32\]^ During this period, Rollins became a dedicated practitioner of yoga.^\[33\]^ Rollins ended his sabbatical in November 1961. He later said: \"I could have probably spent the rest of my life just going up on the bridge. I realized, no, I have to get back into the real world.\"^\[34\]^ In 2016, a campaign was initiated that seeks to have the bridge renamed in Rollins\'s honor.^\[30\]^ <div> # # []{#Winter_1961.E2.80.931969:_Musical_explorations}Winter 1961--1969: Musical explorations {#Winter_1961–1969:_Musical_explorations}   </div> In November 1961, Rollins returned to the jazz scene with a residency at the Jazz Gallery in Greenwich Village; in March, 1962, he appeared on Ralph Gleason\'s television series *Jazz Casual*.^\[35\]^ During the 1960s, Rollins lived on Willoughby Street in Brooklyn, New York.^\[36\]^ He named his 1962 \"comeback\" album *The Bridge* at the start of a contract with RCA Victor. Produced by George Avakian, the disc was recorded with a quartet featuring guitarist Jim Hall, Ben Riley on drums, and bassist Bob Cranshaw.^\[37\]^ This became one of Rollins\'s best-selling records; in 2015, it was inducted into the Grammy Hall of Fame.^\[38\]^ Rollins\'s contract with RCA Victor lasted through 1964. Each album he recorded differed radically from the previous one. The 1962 disc *What\'s New?* explored Latin rhythms. On the album *Our Man in Jazz*, recorded live at The Village Gate, he explored avant-garde playing with a quartet that featured Cranshaw on bass, Billy Higgins on drums and Don Cherry on cornet. He also played with a tenor saxophone hero, Coleman Hawkins, and free jazz pianist Paul Bley on *Sonny Meets Hawk!*, and he re-examined jazz standards and Great American Songbook melodies on *Now\'s the Time* and *The Standard Sonny Rollins* (which featured pianist Herbie Hancock). In 1963, Rollins made the first of many tours of Japan.^\[39\]^ In 1965, he married Lucille Pearson, born on July 25, 1928, in Kansas City, Missouri. She eventually became his very effective manager/producer. They moved (partially, then completely) from New York City to Germantown, New York, where she died on November 27, 2004.^\[40\]^ In 2007, recordings from a 1965 residency at Ronnie Scott\'s Jazz Club were released by the Harkit label as *Live in London*; they offer a very different picture of Rollins\'s playing from the studio albums of the period.^\[41\]^ (These are unauthorized releases, and Rollins has responded by \"bootlegging\" them himself and releasing them on his website.) Upon signing with Impulse! Records, he recorded a soundtrack to the 1966 film *Alfie*, as well as the live album *There Will Never Be Another You* and *Sonny Rollins on Impulse!* (1965). After *East Broadway Run Down* (1966), which featured trumpeter Freddie Hubbard, bassist Jimmy Garrison, and drummer Elvin Jones, Rollins did not release another studio album for six years. In 1968, he was the subject of a television documentary entitled *Who is Sonny Rollins?* (in the series Creative Persons), directed by Dick Fontaine.^\[42\]^ <div> # # []{#1969.E2.80.931971:_Second_sabbatical}1969--1971: Second sabbatical {#1969–1971:_Second_sabbatical}   </div> In 1969, Rollins took another two-year sabbatical from public performance. During this hiatus period, he visited Jamaica for the first time and spent several months studying yoga, meditation, and Eastern philosophies at an ashram in Powai, India, a district of Mumbai.^\[43\]^ {.moz-reader-block-img file-width="2000" file-height="2000" height="200" width="200"} He returned from his second sabbatical with a performance in Kongsberg, Norway, in 1971.^\[44\]^ Reviewing a March 1972 performance at New York\'s Village Vanguard night club, *The New Yorker* critic Whitney Balliett wrote that Rollins \"had changed again. He had become a whirlwind. His runs roared, and there were jarring staccato passages and furious double-time spurts. He seemed to be shouting and gesticulating on his horn, as if he were waving his audience into battle.\"^\[45\]^ The same year, he released *Next Album* and moved to Germantown, New York.^\[46\]^ Also in 1972, he was awarded a Guggenheim Fellowship in composition.^\[47\]^ During the 1970s and 1980s, he also became drawn to R&B, pop, and funk rhythms. Some of his bands during this period featured electric guitar, electric bass, and usually more pop- or funk-oriented drummers. In 1974, Rollins added jazz bagpiper Rufus Harley to his band;^\[48\]^ the group was filmed performing live at Ronnie Scott\'s in London.^\[49\]^ For most of this period Rollins was recorded by producer Orrin Keepnews for Milestone Records (the compilation *Silver City: A Celebration of 25 Years on Milestone* contains a selection from these years).^\[50\]^ In 1978 he, McCoy Tyner, Ron Carter, and Al Foster toured together as the Milestone Jazzstars.^\[51\]^ In June of that year, Rollins joined many other major jazz artists in a performance for President Jimmy Carter on the South Lawn of the White House.^\[52\]^ It was also during this period that Rollins\'s passion for unaccompanied saxophone solos came to the forefront. In 1979 he played unaccompanied on *The Tonight Show*^\[53\]^ and in 1985 he released *The Solo Album*, recorded live at the Museum of Modern Art in New York.^\[54\]^ He also frequently played long, extemporaneous unaccompanied cadenzas during performances with his band; a prime example is his introduction to the tune \"Autumn Nocturne\" on the 1978 album *Don\'t Stop the Carnival*.^\[55\]^ By the 1980s, Rollins had stopped playing small nightclubs and was appearing mainly in concert halls or outdoor arenas; through the late 1990s he occasionally performed at large New York rock clubs such as Tramps and The Bottom Line. He added (uncredited) sax improvisations to three tracks by the Rolling Stones for their 1981 album *Tattoo You*, including the single, \"Waiting on a Friend\"^\[56\]^ and the long jam \"Slave\". That November, he led a saxophone masterclass on French television.^\[57\]^ In 1983, he was honored as a \"Jazz Master\" by the National Endowment for the Arts.^\[58\]^ In 1986, documentary filmmaker Robert Mugge released a film titled *Saxophone Colossus*.^\[59\]^ It featured two Rollins performances: a quintet concert at Opus 40 in upstate New York and a performance with the Yomiuri Shimbun Orchestra in Japan of his *Concerto for Saxophone and Symphony*, a work composed in collaboration with the Finnish pianist and composer Heikki Sarmanto. In 1993, the Sonny Rollins International Jazz Archives^\[60\]^ opened at the University of Pittsburgh.^\[61\]^ New York City Hall proclaimed November 13, 1995, to be \"Sonny Rollins Day\".^\[62\]^ Several days later, Rollins gave a performance at New York City\'s Beacon Theatre that reunited him with musicians with whom he played as a teenager, including McLean, Walter Bishop Jr., Percy Heath, Connie Henry, and Gil Coggins.^\[63\]^ In 1997, he was voted \"Jazz Artist of the Year\" in the *Down Beat* magazine critics\' poll.^\[64\]^ The following year, Rollins, a dedicated advocate of environmentalism, released an album entitled *Global Warming*.^\[65\]^ {.moz-reader-block-img file-width="1296" file-height="1297" height="190" width="190"} Critics such as Gary Giddins and Stanley Crouch have noted the disparity between Rollins the recording artist, and Rollins the concert artist. In a May 2005 *New Yorker* profile, Crouch wrote of Rollins the concert artist: > Over and over, decade after decade, from the late seventies through > the eighties and nineties, there he is, Sonny Rollins, the saxophone > colossus, playing somewhere in the world, some afternoon or some eight > o\'clock somewhere, pursuing the combination of emotion, memory, > thought, and aesthetic design with a command that allows him to > achieve spontaneous grandiloquence. With its brass body, its > pearl-button keys, its mouthpiece, and its cane reed, the horn becomes > the vessel for the epic of Rollins\'s talent and the undimmed power > and lore of his jazz ancestors. Rollins won a 2001 Grammy Award for Best Jazz Instrumental Album for *This Is What I Do* (2000).^\[66\]^ On September 11, 2001, the 71-year-old Rollins, who lived several blocks away, heard the World Trade Center collapse, and was forced to evacuate his Greenwich Street apartment,^\[67\]^ with only his saxophone in hand. Although he was shaken, he traveled to Boston five days later to play a concert at the Berklee School of Music. The live recording of that performance was released on CD in 2005 as *Without a Song: The 9/11 Concert*, from which Rollins\'s performance of \"Why Was I Born?\" won the 2006 Grammy Award for Jazz Instrumental Solo.^\[66\]^ Rollins was presented with a Grammy Award for lifetime achievement in 2004;^\[66\]^ that year also saw the death of his wife, Lucille.^\[68\]^ In 2006, Rollins went on to complete a Down Beat Readers Poll triple win for: \"Jazzman of the Year\", \"No. 1 Tenor Sax Player\", and \"Recording of the Year\" for the CD *Without a Song: The 9/11 Concert*. The band that year featured his nephew, trombonist Clifton Anderson, and included bassist Cranshaw, pianist Stephen Scott, percussionist Kimati Dinizulu, and drummer Perry Wilson. {.moz-reader-block-img file-width="2497" file-height="2497" height="237" width="237"} After a successful Japanese tour, Rollins returned to the recording studio for the first time in five years to record the Grammy-nominated CD *Sonny, Please* (2006). The CD\'s title is derived from one of his wife\'s favorite phrases. The album was released on Rollins\'s own label, Doxy Records, following his departure from Milestone Records after many years and was produced by Anderson. Rollins\'s band at this time, and on this album, included Cranshaw, guitarist Bobby Broom, drummer Steve Jordan and Dinizulu. During these years, Rollins regularly toured worldwide, playing major venues throughout Europe, South America, the Far East, and Australasia; he is estimated to have sometimes earned as much as \$100,000 per performance.^\[69\]^ On September 18, 2007, he performed at Carnegie Hall in commemoration of the fiftieth anniversary of his first performance there. Appearing with him were Anderson (trombone), Bobby Broom (guitar), Cranshaw (bass), Dinizulu (percussion), Roy Haynes (drums) and Christian McBride (bass).^\[70\]^ Around 2000, Rollins began recording many of his live performances; since then, he has archived recordings of more than two hundred and fifty concerts.^\[71\]^ To date, four albums have been released from these archives on Doxy Records and Okeh Records: *Road Shows, Vol. 1*; *Road Shows, Vol. 2* (with four tracks documenting his 80th birthday concert, which included Rollins\'s first ever recorded appearance with Ornette Coleman on the twenty-minute \"Sonnymoon for Two\"); *Road Shows, Vol. 3*; and *Holding the Stage, Road Shows, Vol. 4*, released in April 2016.^\[72\]^ In 2010 Rollins was awarded the National Medal of Arts^\[73\]^ and the Edward MacDowell Medal;^\[74\]^ in the fall of the same year he celebrated his 80th birthday with a concert at New York\'s Beacon Theatre that included a guest appearance by Ornette Coleman.^\[75\]^ The following year he was the subject of another documentary by Dick Fontaine, entitled *Beyond the Notes*.^\[76\]^ Rollins has not performed in public since 2012,^\[77\]^ and retired in 2014,^\[78\]^ due to recurring respiratory issues caused by pulmonary fibrosis.^\[79\]\[78\]\[80\]^ In 2013, Rollins moved to Woodstock, New York.^\[81\]^ That spring, he made a guest television appearance on *The Simpsons* in \"Whiskey Business\"^\[82\]^ and received an honorary Doctor of Music degree from the Juilliard School in New York City.^\[83\]^ In 2014, he was the subject of a Dutch television documentary entitled *Sonny Rollins-Morgen Speel Ik Beter* (transl: *Tomorrow I\'ll Play Better*).^\[84\]^ He made a public appearance in June of that year introducing saxophonist Ornette Coleman at an all-star tribute performance to Coleman in Brooklyn, NY.^\[85\]^ In October 2015, he received the Jazz Foundation of America\'s lifetime achievement award.^\[72\]^ In the spring of 2017, Rollins donated his personal archive to the Schomburg Center for Research in Black Culture, one of the research centers of New York Public Library.^\[86\]\[87\]\[88\]^ Later that year, he endowed the \"Sonny Rollins Jazz Ensemble Fund\" at Oberlin College, in \"recognition of the institution\'s long legacy of access and social justice advocacy.\"^\[89\]\[90\]^ In February 2023, Rollins sold his music catalogue to Reservoir Media.^\[91\]^ In April 2024, *The Notebooks of Sonny Rollins* was published, derived from notebooks he maintained from 1959 onwards.^\[92\]^ <div> # Artistry and influences {#Artistry_and_influences}   </div> Rollins\'s tone has been described as \"biting and clear\".^\[93\]^ As a saxophonist, he had initially been attracted to the jump and R&B sounds of performers such as Louis Jordan, but soon became drawn into the mainstream tenor saxophone tradition. The German critic Joachim-Ernst Berendt described this tradition as sitting between the two poles of the strong sonority of Coleman Hawkins and the light flexible phrasing of Lester Young, which did so much to inspire the fleet improvisation of bebop in the 1950s.^\[94\]^ Other tenor saxophone influences include Ben Webster and Don Byas. By his mid-teens, Rollins became heavily influenced by alto saxophonist Charlie Parker.^\[95\]^ During his high school years, he was mentored by the pianist and composer Thelonious Monk, often rehearsing at Monk\'s apartment.^\[96\]^ Rollins has played, at various times, a Selmer Mark VI^\[97\]^ tenor saxophone and a Buescher Aristocrat.^\[98\]^ During the 1970s, he recorded on soprano saxophone for the album *Easy Living*. His preferred mouthpieces are made by Otto Link and Berg Larsen.^\[99\]^ He uses Frederick Hemke medium reeds.^\[97\]^ <div> # Decorations and awards {#Decorations_and_awards}   </div> - Elected to the *Down Beat* Jazz Hall of Fame (1973)^\[100\]^ - Honorary Doctor of Arts from Bard College (1992)^\[101\]^ - Honorary Doctor of Music from Wesleyan University (1998)^\[102\]^ - Honorary Doctor of Music from Long Island University (1998)^\[103\]^ - Honorary Doctor of Music from Duke University (1999)^\[104\]^ - Honorary Doctor of Music from New England Conservatory of Music (2002)^\[105\]^ - Honorary Doctor of Music from Berklee College of Music (2003)^\[106\]^ - Grammy Award for lifetime achievement (2004)^\[107\]^ - Golden Plate Award of the American Academy of Achievement presented by Awards Council member Kareem Abdul-Jabbar (2006)^\[108\]\[109\]^ - Minneapolis, Minnesota officially named October 31, 2006, after Rollins in honor of his achievements and contributions to the world of jazz^\[110\]^ - Polar Music Prize \"for over 50 years one of the most powerful and personal voices in jazz\" (2007) - Honorary Doctor of Music from Colby College (2007)^\[111\]^ - Austrian Cross of Honour for Science and Art, 1st class (2009)^\[112\]^ - Honorary Doctor of Music from Rutgers University (2009)^\[113\]^ - National Medal of Arts (2010)^\[114\]^ - Miles Davis Award at the Montreal Jazz Festival (2010)^\[115\]^ - Elected to the American Academy of Arts and Sciences (2010)^\[116\]^ - Edward MacDowell Medal (2010)^\[117\]^ - Kennedy Center Honors on his 81st birthday (September 7, 2011) - Honorary Doctor of Music from the Juilliard School (May 2013)^\[83\]^ - Honorary Doctor of Music from the University of Hartford (2015)^\[118\]^ <div> 1. ['\^' Appelbaum, Larry (February 23, 2013). \"Interview with Sonny Rollins Pt. 1\". *Larryappelbaum.wordpress.com*. Retrieved May 20, 2016.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Larryappelbaum.wordpress.com&rft.atitle=Interview+with+Sonny+Rollins+Pt.+1&rft.date=2013-02-23&rft.aulast=Appelbaum&rft.aufirst=Larry&rft_id=https%3A%2F%2Flarryappelbaum.wordpress.com%2F2013%2F02%2F23%2Finterview-with-sonny-rollins-pt-1%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-1} 2. ['\^' \"Sonny Rollins\". Concord Music Group. September 7, 1930. Retrieved May 20, 2016.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sonny+Rollins&rft.pub=Concord+Music+Group&rft.date=1930-09-07&rft_id=http%3A%2F%2Fwww.concordmusicgroup.com%2Fartists%2Fsonny-rollins%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-2} 3. [\^ Jump up to: ^'*a'*^ ^'*b'*^ ^'*c'*^ ^'*d'*^ Nastos, Michael G. (September 7, 1930). \"Sonny Rollins \| Biography\". *AllMusic*. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMusic&rft.atitle=Sonny+Rollins+%26%23124%3B+Biography&rft.date=1930-09-07&rft.aulast=Nastos&rft.aufirst=Michael+G.&rft_id=http%3A%2F%2Fwww.allmusic.com%2Fartist%2Fsonny-rollins-mn0000039656%2Fbiography&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-ALLMUSIC-3} 4. ['\^' Garner, Dwight (March 18, 2024). \"This Jazz Legend Is His Own Work in Progress - The private musings of Sonny Rollins reveal an artist devoted to the rigors of self-improvement\". *The New York Times*. Retrieved March 20, 2024.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=This+Jazz+Legend+Is+His+Own+Work+in+Progress+-+The+private+musings+of+Sonny+Rollins+reveal+an+artist+devoted+to+the+rigors+of+self-improvement.&rft.date=2024-03-18&rft.aulast=Garner&rft.aufirst=Dwight&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2024%2F03%2F18%2Fbooks%2Freview%2Fnotebooks-of-sonny-rollins.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}`{{cite news}}`: CS1 maint: deprecated archival service (link)]{#cite_note-NYT-20240318-4} 5. ['\^' Fordham, John (May 11, 2010). \"50 great moments in jazz: The rise of saxophone colossus Sonny Rollins\". *The Guardian*. Retrieved July 21, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=50+great+moments+in+jazz%3A+The+rise+of+saxophone+colossus+Sonny+Rollins&rft.date=2010-05-11&rft.aulast=Fordham&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2Fmusicblog%2F2010%2Fmay%2F11%2Fsonny-rollins-jazz-saxophone&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-5} 6. ['\^' Taylor, Larry (March 26, 2008). \"Sonny Rollins: Touring, Life Today and the Future\". *All About Jazz*. Retrieved January 31, 2013.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=All+About+Jazz&rft.atitle=Sonny+Rollins%3A+Touring%2C+Life+Today+and+the+Future&rft.date=2008-03-26&rft.aulast=Taylor&rft.aufirst=Larry&rft_id=http%3A%2F%2Fwww.allaboutjazz.com%2Fphp%2Farticle.php%3Fid%3D28819&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-6} 7. [\^ Jump up to: ^'*a'*^ ^'*b'*^ \"Sonny Rollins At Sixty-Eight - 99.07\". *The Atlantic*. July 1, 1999. Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Atlantic&rft.atitle=Sonny+Rollins+At+Sixty-Eight+-+99.07&rft.date=1999-07-01&rft_id=https%3A%2F%2Fwww.theatlantic.com%2Fmagazine%2Farchive%2F1999%2F07%2Fsonny-rollins-at-sixty-eight-9907%2F377697%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-theatlantic1999-7} 8. ['\^' Appelbaum, Larry (February 23, 2013). \"Interview with Sonny Rollins Pt. 1 « Let\'s Cool One\". *Larryappelbaum.wordpress.com*. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Larryappelbaum.wordpress.com&rft.atitle=Interview+with+Sonny+Rollins+Pt.+1+%C2%AB+Let%27s+Cool+One&rft.date=2013-02-23&rft.aulast=Appelbaum&rft.aufirst=Larry&rft_id=https%3A%2F%2Flarryappelbaum.wordpress.com%2F2013%2F02%2F23%2Finterview-with-sonny-rollins-pt-1%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-8} 9. ['\^' Myers, Marc (September 3, 2010). \"Sonny Rollins Takes a Ride Uptown\". WSJ. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sonny+Rollins+Takes+a+Ride+Uptown&rft.pub=WSJ&rft.date=2010-09-03&rft.aulast=Myers&rft.aufirst=Marc&rft_id=https%3A%2F%2Fwww.wsj.com%2Farticles%2FSB10001424052748703882304575465650752095186&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-9} 10. ['\^' Crouch, Stanley (2021). *The matter of Black lives: writing from the New Yorker \[various authors\]* (First ed.). New York, NY: Ecco, an imprint of HarperCollinsPublishers. p. 485. ISBN 9780063017597. "Having switched to tenor saxophone in the early forties, Rollins then led a band with some other young men from the Hill: the alto saxophonist Jackie McLean, the drummer Art Taylor, and the pianist Kenny Drew. They played \"cocktail sips\" in the early evening for working people\..."[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+matter+of+Black+lives%3A+writing+from+the+New+Yorker+%5Bvarious+authors%5D&rft.place=New+York%2C+NY&rft.pages=485&rft.edition=First&rft.pub=Ecco%2C+an+imprint+of+HarperCollinsPublishers&rft.date=2021&rft.isbn=9780063017597&rft.aulast=Crouch&rft.aufirst=Stanley&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-10} 11. ['\^' \"1948 High School Yearbook Benjamin Franklin High School\". *Classmates.com*. Retrieved July 16, 2023.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Classmates.com&rft.atitle=1948+High+School+Yearbook+Benjamin+Franklin+High+School&rft_id=https%3A%2F%2Fwww.classmates.com%2Fsiteui%2Fyearbooks%2F85763%3Fpage%3D21&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-11} 12. ['\^' Choi, Charles Q. (October 24, 2008). \"Reaping a Sad Harvest: A \"Narcotic Farm\" That Tried to Grow Recovery \[Slide Show\]\". *Scientific American*. Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Scientific+American&rft.atitle=Reaping+a+Sad+Harvest%3A+A+%22Narcotic+Farm%22+That+Tried+to+Grow+Recovery+%5BSlide+Show%5D&rft.date=2008-10-24&rft.aulast=Choi&rft.aufirst=Charles+Q.&rft_id=http%3A%2F%2Fwww.scientificamerican.com%2Farticle%2Fnarcotics-recovery-farm%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-12} 13. ['\^' Isaacs, Deanna. \"How Sonny Defeated the Dragon \| Feature\". *Chicago Reader*. 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Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Jazzstudiesonline.org&rft.atitle=Sonny+Rollins+and+the+Challenge+of+Thematic+Improvisation&rft.aulast=Schuller&rft.aufirst=Gunther&rft_id=http%3A%2F%2Fjazzstudiesonline.org%2Ffiles%2Fjso%2Fresources%2Fpdf%2FSonnyRollinsAndChallengeOfThematicImprov.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-16} 17. ['\^' Baker, David N. (1983). *The Jazz Style of Sonny Rollins: A Musical and Historical Perspective*. Alfred Music (Van Nuys, CA). ISBN 978-0769230740. p. 14.]{#cite_note-17} 18. [\^ Jump up to: ^'*a'*^ ^'*b'*^ ^'*c'*^ Ratliff, Ben. \"Sonny Rollins Strips for Action\", *The New York Times*, Late Edition (East Coast). September 16, 2007. *ProQuest.* August 13, 2014.]{#cite_note-Ratliff-18} 19. ['\^' Jarrett, Michael (1994). \"The tenor\'s vehicle: Readingway out west\". *Lit: Literature Interpretation Theory*. '5' (3--4): 227--246. doi:10.1080/10436929408580139. S2CID 162073386.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Lit%3A+Literature+Interpretation+Theory&rft.atitle=The+tenor%27s+vehicle%3A+Readingway+out+west&rft.volume=5&rft.issue=%3Cspan+class%3D%22nowrap%22%3E3%E2%80%93%3C%2Fspan%3E4&rft.pages=227-246&rft.date=1994&rft_id=info%3Adoi%2F10.1080%2F10436929408580139&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A162073386%23id-name%3DS2CID&rft.aulast=Jarrett&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-19} 20. ['\^' \"Sonny Rollins: Hardy Perennial\". *Allaboutjazz.com*. November 28, 2006. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Allaboutjazz.com&rft.atitle=Sonny+Rollins%3A+Hardy+Perennial&rft.date=2006-11-28&rft_id=http%3A%2F%2Fwww.allaboutjazz.com%2Fsonny-rollins-hardy-perennial-sonny-rollins-by-victor-l-schermer.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-20} 21. ['\^' Liner notes *Nucleus* (1975)]{#cite_note-21} 22. ['\^' \"Long-Lost Tape Inspires Sonny Rollins\". *Washingtonpost.com*. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Washingtonpost.com&rft.atitle=Long-Lost+Tape+Inspires+Sonny+Rollins&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fwp-dyn%2Fcontent%2Farticle%2F2007%2F09%2F17%2FAR2007091701235.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-22} 23. ['\^' \"Musicians\". *A-great-day-in-harlem.com*. 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Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Sonny+Rollins+Trio%3A+Live+in+Europe+1959+%E2%80%93+review+%26%23124%3B+Music&rft.date=2012-11-08&rft.aulast=Fordham&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2012%2Fnov%2F08%2Fsonny-rollins-live-europe-review&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-25} 26. ['\^' Balliett, Whitney (November 18, 1961). \"Sabbatical\". *The New Yorker*. Retrieved October 27, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=Sabbatical&rft.date=1961-11-18&rft.aulast=Balliett&rft.aufirst=Whitney&rft_id=http%3A%2F%2Fwww.newyorker.com%2Fmagazine%2F1961%2F11%2F18%2Fsabbatical-2&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-26} 27. ['\^' Litvak, Ed (July 9, 2015). \"From Sonny Rollins to Ruby the Fruit Man: A Tribute to the People of 400 Grand St\". *thelodownny.com*. The Lo-Down. Archived from the original on July 9, 2015. Retrieved October 27, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=thelodownny.com&rft.atitle=From+Sonny+Rollins+to+Ruby+the+Fruit+Man%3A+A+Tribute+to+the+People+of+400+Grand+St.&rft.date=2015-07-09&rft.aulast=Litvak&rft.aufirst=Ed&rft_id=http%3A%2F%2Fwww.thelodownny.com%2Fleslog%2F2015%2F07%2Ffrom-our-magazine-remembering-the-people-of-400-402-grand-st.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-27} 28. ['\^' \"Home\". *Therollinsnyc.com*.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Therollinsnyc.com&rft.atitle=Home&rft_id=http%3A%2F%2Ftherollinsnyc.com&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-28} 29. ['\^' Kaysen, Ronda (December 12, 2017). \"New Rental Tower Rises Where Sonny Rollins Once Lived\". *The New York Times*.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=New+Rental+Tower+Rises+Where+Sonny+Rollins+Once+Lived&rft.date=2017-12-12&rft.aulast=Kaysen&rft.aufirst=Ronda&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2017%2F12%2F12%2Frealestate%2Fessex-crossing-sonny-rollins-lower-east-side.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-29} 30. [\^ Jump up to: ^'*a'*^ ^'*b'*^ Petrusich, Amanda (April 5, 2017). \"A Quest to Rename the Williamsburg Bridge for Sonny Rollins\". *The New Yorker*. Retrieved July 21, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=A+Quest+to+Rename+the+Williamsburg+Bridge+for+Sonny+Rollins&rft.date=2017-04-05&rft.aulast=Petrusich&rft.aufirst=Amanda&rft_id=http%3A%2F%2Fwww.newyorker.com%2Fculture%2Fcultural-comment%2Fa-quest-to-rename-the-williamsburg-bridge-for-sonny-rollins&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-rename-30} 31. ['\^' Frequently Asked Questions, Sonnyrollins.com.]{#cite_note-31} 32. ['\^' Chadbourne, Eugene. \"Ralph Berton \| Biography\". *AllMusic*. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMusic&rft.atitle=Ralph+Berton+%26%23124%3B+Biography&rft.aulast=Chadbourne&rft.aufirst=Eugene&rft_id=http%3A%2F%2Fwww.allmusic.com%2Fartist%2Fralph-berton-mn0001275287%2Fbiography&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-32} 33. ['\^' Jones, Josh (October 8, 2015). \"Sonny Rollins Describes How 50 Years of Practicing Yoga Made Him a Better Musician\". Open Culture. Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sonny+Rollins+Describes+How+50+Years+of+Practicing+Yoga+Made+Him+a+Better+Musician&rft.pub=Open+Culture&rft.date=2015-10-08&rft.aulast=Jones&rft.aufirst=Josh&rft_id=http%3A%2F%2Fwww.openculture.com%2F2014%2F06%2Fsonny-rollins-50-years-of-practicing-yoga.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-33} 34. ['\^' Richards, Chris (December 2, 2011). \"Sonny Rollins: A jazz mind in pursuit of improvisational heaven\". *The Washington Post*. Retrieved October 27, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Sonny+Rollins%3A+A+jazz+mind+in+pursuit+of+improvisational+heaven&rft.date=2011-12-02&rft.aulast=Richards&rft.aufirst=Chris&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fsonny-rollins-a-jazz-mind-in-pursuit-of-improvisational-heaven%2F2011%2F11%2F22%2FgIQA3aPsKO_story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-34} 35. ['\^' \"Jazz Casual: Sonny Rollins - Sonny Rollins \| Songs, Reviews, Credits\". *AllMusic*. October 19, 1999. 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ISBN 9780307797278.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Reading+Jazz%3A+A+Gathering+of+Autobiography%2C+Reportage%2C+and+Criticism+from+1919+to+Now&rft.pub=Knopf+Doubleday+Publishing&rft.date=2014-02-19&rft.isbn=9780307797278&rft.aulast=Gottlieb&rft.aufirst=Robert&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DRRLSAgAAQBAJ%26q%3Dmax%2Bgordon%2Bsonny%2527s%2Bthe%2Bgreatest%26pg%3DPA173&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-36} 37. ['\^' Watrous, Peter (April 12, 1991). \"Pop/Jazz - Sonny Rollins and Pals In a Carnegie Reunion\". *NYTimes.com*. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=NYTimes.com&rft.atitle=Pop%2FJazz+-+Sonny+Rollins+and+Pals+In+a+Carnegie+Reunion&rft.date=1991-04-12&rft.aulast=Watrous&rft.aufirst=Peter&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1991%2F04%2F12%2Farts%2Fpop-jazz-sonny-rollins-and-pals-in-a-carnegie-reunion.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-37} 38. ['\^' \"Sonny Rollins \"The Bridge\" included in 2015 Grammy Hall of Fame\". OKeh Records. February 18, 2015. 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['\^' \"Achilles Horn: Robert Mugge on the making of \"Saxophone Colossus\" featuring Sonny Rollins\". *Nightflight.com*.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Nightflight.com&rft.atitle=Achilles+Horn%3A+Robert+Mugge+on+the+making+of+%22Saxophone+Colossus%22+featuring+Sonny+Rollins&rft_id=http%3A%2F%2Fnightflight.com%2Fachilles-horn-robert-mugge-on-the-making-of-saxophone-colossus-featuring-sonny-rollins%2F%3Fsafari_redirect&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-59} 60. ['\^' \"Sonny Rollins International Jazz Archives\". *Pitt.edu*. 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['\^' \"The MacDowell Colony : LEGENDARY JAZZ COMPOSER SONNY ROLLINS NAMED 2010 EDWARD MacDOWELL MEDALIST\" (PDF). *Macdowellcolony.org*. Archived from the original (PDF) on March 4, 2016. Retrieved July 28, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Macdowellcolony.org&rft.atitle=The+MacDowell+Colony+%3A+LEGENDARY+JAZZ+COMPOSER+SONNY+ROLLINS+NAMED+2010+EDWARD+MacDOWELL+MEDALIST&rft_id=http%3A%2F%2Fwww.macdowellcolony.org%2FPR-MedalDay.2010.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-74} 75. ['\^' \"The Singular Sound of Sonny Rollins\". *Nybooks.com*. 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Retrieved September 12, 2023.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Mel+Magazine&rft.atitle=HAPPY+90TH+BIRTHDAY+TO+JAZZ+LEGEND+SONNY+ROLLINS&rft.date=2023-09-07&rft.aulast=Hoffman&rft.aufirst=Jordan&rft_id=https%3A%2F%2Fmelmagazine.com%2Fen-us%2Fstory%2Fsonny-rollins-williamsburg-bridge&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-80} 81. ['\^' \"Sonny Rollins on His New Home, in the Key of E \| House Call WSJ Mansion\". WSJ. April 25, 2013. Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sonny+Rollins+on+His+New+Home%2C+in+the+Key+of+E+%26%23124%3B+House+Call+WSJ+Mansion&rft.pub=WSJ&rft.date=2013-04-25&rft_id=https%3A%2F%2Fwww.wsj.com%2Farticles%2FSB10001424127887323809304578430733765013790&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-81} 82. ['\^' La Rosa, David (October 12, 2012). \"Sonny Rollins to Guest Star on The Simpsons\". *Jazz Line News*. The Jazz Line. Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Jazz+Line+News&rft.atitle=Sonny+Rollins+to+Guest+Star+on+The+Simpsons.&rft.date=2012-10-12&rft.aulast=La+Rosa&rft.aufirst=David&rft_id=http%3A%2F%2Fthejazzline.com%2Fnews%2F2012%2F10%2Fsonny-rollins-to-guest-star-on-the-simpsons%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-82} 83. [\^ Jump up to: ^'*a'*^ ^'*b'*^ \"7 to Be Presented With Honorary Degrees\" Archived July 25, 2013, at the Wayback Machine Juilliard School. Retrieved September 14, 2013.]{#cite_note-juill-83} 84. ['\^' \"Het Uur van de Wolf: Het Uur van de Wolf: Sonny Rollins - Morgen speel ik beter kijk je op\". *Npo.nl*. October 23, 2014. 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['\^' \"Schomburg Center for Research in Black Culture Acquires Jazz Legend Sonny Rollins\' Personal Archive\". New York Public Library. May 30, 2017. Retrieved December 19, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Schomburg+Center+for+Research+in+Black+Culture+Acquires+Jazz+Legend+Sonny+Rollins%27+Personal+Archive&rft.pub=New+York+Public+Library&rft.date=2017-05-30&rft_id=https%3A%2F%2Fwww.nypl.org%2Fpress%2Fpress-release%2Fmay-30-2017%2Fschomburg-center-research-black-culture-acquires-jazz-legend-sonny-0&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-personal_archive-86} 87. ['\^' Giovanni Russonello (May 29, 2017). \"Inside Sonny Rollins\'s Jazz Archive, Headed Home to Harlem\". *The New York Times*. 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November 13, 2017.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Oberlin+College+and+Conservatory&rft.atitle=Jazz+Legend+Sonny+Rollins+Designates+Major+Gift+to+Oberlin&rft.date=2017-11-13&rft_id=https%3A%2F%2Fwww.oberlin.edu%2Fnews%2Fjazz-legend-sonny-rollins-designates-major-gift-oberlin&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-89} 90. ['\^' Burnett, Erich (2018). \"The Legend Lives On\". *Oberlin Conservatory Magazine*. p. 18.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Oberlin+Conservatory+Magazine&rft.atitle=The+Legend+Lives+On&rft.pages=18&rft.date=2018&rft.aulast=Burnett&rft.aufirst=Erich&rft_id=https%3A%2F%2Fwww2.oberlin.edu%2Fcon%2Fconnews%2F2018%2Fbook%2Findex-h5.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-90} 91. ['\^' Brown, Preezy (February 22, 2023). \"Jazz Legend Sonny Rollins\' Music Catalog Acquired by Reservoir Media\". *Vibe.com*.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Vibe.com&rft.atitle=Jazz+Legend+Sonny+Rollins%27+Music+Catalog+Acquired+by+Reservoir+Media&rft.date=2023-02-22&rft.aulast=Brown&rft.aufirst=Preezy&rft_id=https%3A%2F%2Fwww.vibe.com%2Fnews%2Fentertainment%2Fsonny-rollins-music-catalog-reservoir-media-1234737225&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-91} 92. ['\^' *The Notebooks of Sonny Rollins*, ed. Sam V. H. Reese. New York Review of Books (2024).]{#cite_note-92} 93. ['\^' Solomon, Jon (August 7, 2013). \"The ten best saxophonists of all time\". *Westword.com*. 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['\^' \"FAQ\". Sonny Rollins. Archived from the original on November 17, 2015. Retrieved November 13, 2015.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=FAQ&rft.pub=Sonny+Rollins&rft_id=http%3A%2F%2Fsonnyrollins.com%2Ffrequentlyaskedquestions%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-99} 100. ['\^' \"DownBeat Magazine\". *Downbeat.com*. Retrieved May 20, 2016.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Downbeat.com&rft.atitle=DownBeat+Magazine&rft_id=http%3A%2F%2Fwww.downbeat.com%2Fdefault.asp%3Fsect%3Dstories%26subsect%3Dstory_detail%26sid%3D1020&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-100} 101. ['\^' \"COMMENCEMENTS - At Georgetown, a Speech on Education\'s Ills\". *The New York Times*. May 24, 1992. 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['\^' \"Sonny Rollins \| Commencement \| Colby College\". *Colby.edu*. May 27, 2007. Retrieved May 20, 2016.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Colby.edu&rft.atitle=Sonny+Rollins+%26%23124%3B+Commencement+%26%23124%3B+Colby+College&rft.date=2007-05-27&rft_id=https%3A%2F%2Fwww.colby.edu%2Fcommencement%2F2007-2%2Fhonorary%2Fsonny-rollins%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-111} 112. ['\^' \"Reply to a parliamentary question\" (PDF) (in German). p. 1919. Retrieved January 2, 2013.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Reply+to+a+parliamentary+question&rft.pages=1919&rft_id=http%3A%2F%2Fwww.parlament.gv.at%2FPAKT%2FVHG%2FXXIV%2FAB%2FAB_10542%2Fimfname_251156.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-112} 113. 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['\^' [\"MacDowell Medal winners 1960-2011\"]{title="Paid subscription required"}. *The Telegraph*. April 13, 2011. Archived from the original on January 12, 2022.[]{title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Telegraph&rft.atitle=MacDowell+Medal+winners+1960-2011&rft.date=2011-04-13&rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fculture%2Ftheatre%2Ftheatre-news%2F8447621%2FMacDowell-Medal-winners-1960-2011.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ASonny+Rollins"}]{#cite_note-117} 118. ['\^' Steinberger, Barbara (April 20, 2015) \"Commencement Speakers Will Bring a Global Perspective\". Unotes Daily.]{#cite_note-118} </div> - Giardello, Joe (June--July 1995). \"Sonny Rollins: Our Man in Jazz\". *Coda*. pp. 8--11. - Goldberg, Joe (June 10, 2000). \"Jazz: Sonny at 70\". *Billboard*. pp. 66, 72. - \"With a Song in His Heart\". *Yoga Journal*. May 2006. pp. 119--120 - King, Daniel (June 11, 2020). \"Sonny Rollins on the Pandemic, Protests and Music\". *The New Yorker*. <!-- --> - Blancq, Charles. *Sonny Rollins: The Journey of a Jazzman*. Boston: Twayne, 1983. - Blumenthal, Bob, and John Abbott. *Saxophone Colossus: A Portrait of Sonny Rollins*. New York: Abrams, 2010. - Broecking, Christian. *Sonny Rollins: Improvisation und Protest*. Creative People Books / Broecking Verlag, 2010. - Levy, Aidan. *Saxophone Colossus: The Life and Music of Sonny Rollins*, Hachette Books, 2022. - Médioni, Franck. *Sonny Rollins: Le Souffle Continu*. Paris: Editions MF, 2016. - Nisenson, Eric. *Open Sky, Sonny Rollins and his World of Improvisation*. New York: St. Martin\'s Press, 2000. - Palmer, Richard. *Sonny Rollins: The Cutting Edge*. New York: Bloomsbury, 2004. - Theard, Christine Marie. *It\'s All Good: Colossal Conversations with Sonny Rollins*. They Are Divine Books, 2018. - Wilson, Peter Niklas. *Sonny Rollins: The Definitive Musical Guide*. Berkeley: Berkeley Hills Books, 2001. - Wyatt, Hugh. *Sonny Rollins: Meditating on a Riff*. New York: Kamama Books, 2018. :::::::::::: ::::::::::::: :::::::::::::: :::::::::::::::