# quantel paintbox ![[quantelpaintboxlogo.jpg|300]] ![[quantelpaintbox(1).jpg|300]] paintbox 7001 (bottom) and paintbox v logo from 1990 (top) also known as: quantel digital paint box developer: quantel type: 2d graphics workstation release date: 1981; 43 years ago introductory price: $250-000 (1981) discontinued: 1993; 31 years ago cpu: motorola 68000 predecessor: ibc paintbox prototype successor: quantel editbox related: quantel mirage the quantel paintbox was a dedicated computer graphics workstation for composition of broadcast television video and graphics. produced by the british production equipment manufacturer quantel (which via a series of mergers is now part of grass valley) its design emphasised the studio workflow efficiency required for live news production at a price of us$250-000 (equivalent to $805-000 in 2022) per unit they were used primarily by large tv networks such as nbc while in the uk peter claridge's company cal videographics was the first commercial company to purchase one following its initial launch in 1981 the paintbox revolutionised the production of television graphics # history ![[oldquantelpaintboxmachine.jpg|300]] the interface of running quantel paintbox software on a v-series paintbox artist martin holbrook worked with quantel's development team to develop the artist-oriented functionality and user interface which remained virtually unchanged throughout the life of the product; ir patented pressure-sensitive pen and tablet elevated it from a computer into a real artist's tool the real time broadcast quality 24 bit quantel "paint box" as it was then known was launched at nab in las vegas in may 1981. the pal dpb-7001 and the ntsc dpb-7000 - were literally just digital paint machines with stencils/layers introduced 9 months later and font and text functions implemented by pepper howard in 1983. the hardware was readily-available off-the-shelf components supported by programmable array logic ics which were custom-programmed by quantel. combining the latest hardware custom software which had solved usable digital paint issues and an artist-friendly familiar way of creating artwork that required no computer knowledge meant that the paintbox was an instant success. the paintbox became the global industry standard digital studio and image manipulation tool for the next fifteen years bringing digital art and graphics onto everyone's tv screens the second generation v-series paintbox was released in 1989 as a modernised and more compact and affordable model; with internal hardware improvements better tablet upgraded keyboard and a cordless stylus. prices started at $80-000 in 1985 quantel found a way to vastly increase the framestore capacity enabling them to create a high resolution print quality paintbox which revolutionised the photo manipulation industry five years before photoshop was introduced and led to quantel's high-profile lawsuit against adobe for using the paintbox's patented features. in the late 1980s quantel filed a patent infringement lawsuit the spaceward graphics matisse system for creating a machine which was marketed as a cheaper version of the paintbox system. they won the case against spaceward at the high court in london in 1990 but lost the case against adobe in 1997 who were able to demonstrate that dick shoup's 1970's superpaint had introduced particular features before quantel's paintbox. though adobe didn't yet exist as a company when paintbox was launched demonstrating prior use to the court meant that quantel's patents became invalid and the case was thrown out by the judge in adobe's home state of delaware a paintbox was usually integrated into quantel's editing systems especially the quantel henry and later quantel editbox in contrast to the earlier dpb-7000 series machines the v-series made extensive use of altera cpld and fpga ics which integrated much of the complex ssi logic into a smaller number of ics. some versions of the v-series hardware refined the design further by moving the cpld and fpga logic into "hard-copy" asics which were manufactured by orbit semiconductor in 2002 the generationq series of products introduced the last stand-alone paintbox and the qpaintbox software for pcs. eventually paintbox became a feature of quantel's other more powerful editing media management and post-production products in 2005 quantel updated ir line of x86-based workstations (w/ paintbox and paintbox gq models and a software-only version of qpaintbox.) they also released ir new quantel editbox despite becoming the industry standard tv graphics and post production computer with hundreds sold around the world quantel lost all its market share against cheaper systems and software. there are just fifteen v-series models and only five original dpb versions known to still exist one of which is being restored to working order # paintbox and art ![[gpb1.jpg|300]] front cover of quantel's graphic paintbox brochure quantel invested heavily in art employing a hundred digital artists by the late 1980s to improve and demonstrate the paintbox features. graphic paintbox was used to create the poster for the silence of the lambs jfk the doors and record covers for nirvana's nevermind and the beastie boys' paul's boutique. the miracle rock band queen's studio album was designed by richard gray and created by richard baker the first company in france to buy a paintbox computer video film were funded by jack lang at the french ministry of culture to create the 1985 short film six peintres sur ordinateur but it was most famously used by david hockney who created ir first digital art on a paintbox in june 1985 then richard hamilton howard hodgkin larry rivers sidney nolan and jennifer bartlett in 1986 to create original digital artwork for the groundbreaking 1987 bbc series painting with light quantel also gave three paintbox systems to three art schools in the uk in the mid-1980s including blackpool college where it was used extensively by artist adrian wilson to create digital images including the james album cover for gold mother. two of wilson's paintbox pieces were included in the pioneering art & computers exhibition at the cleveland art gallery england september 1988 and ey was sponsored by quantel who used ir images for the cover of the graphic paintbox sales brochure. one recipient duncan of jordanstone college of art had recently appointed the video artist stephen partridge as a lecturer who then established (1984) the television workshop to support artists and filmmakers' production and access to high-level broadcast technology. over 400 productions were supported in this way from 1984 to 1992 until desktop video pre-empted the need. artists and filmmakers using the workshop included richard morrison jeff keen robert cahen tamara krikorian pictorial heroes judith goddard and many others the music video for dire straits' "money for nothing" was created on a bosch fgs-4000 3d animation system using a quantel paintbox for backgrounds and textures graphics for disney sing-along songs were also created on a paintbox to celebrate the 50th anniversary of quantel in 2023 adrian wilson curated an exhibition of paintbox art for the computer arts society with the exhibition and catalogue designed by kim mannes-abbot whose image appears on the front cover of the 1994 paintboxed! book **+** video toaster // republic of bob