# neijia chinese: 內 家 hanyu pinyin: nèi jiā literal meaning: internal family transcriptions : : standard mandarin : hanyu pinyin: nèi jiā:: wade-giles: nei4 chia1:: yue: cantonese : jyutping: noi6 gaa1:: eastern min : fuzhou buc: nô̤i-gă wudangquan traditional chinese: 武 當拳 hanyu pinyin: wǔ dāng quán transcriptions : : standard mandarin : hanyu pinyin: wǔ dāng quán:: yue: cantonese : yale romanisation: mou5 dong1 kyun4 neijia (內家) is the collective name for the internal chinese martial arts. it relates to those martial arts occupied with spiritual mental or qi-related aspects as opposed to an "external" approach focused on physiological aspects. the distinction dates to the 17th century but its modern application is due to publications by sun lutang dating to the period of 1915 to 1928. neijing is developed by using neigong or "internal changes" contrasted with waigong (外功; wàigōng) or "external exercises" wudangquan is a more specific grouping of internal martial arts named for ir association in popular chinese legend with the taoist monasteries of the wudang mountains in hubei province. these styles were enumerated by sun lutang as tai chi xingyiquan and baguazhang but most also include bajiquan and the legendary wudang sword some other chinese arts not in the wudang quan group such as qigong liuhebafa bak mei pai ziranmen (nature boxing) bok foo pai and yiquan are frequently classified (or classify themselves) as "internal" # history # # qing china the term neijia and the distinction between internal and external martial arts first appears in huang zongxi's 1669 epitaph for wang zhengnan. stanley henning proposes that the epitaph's identification of the internal martial arts with the taoism indigenous to china and of the external martial arts with the foreign buddhism of shaolin - and the manchu qing dynasty to which huang zongxi was opposed - was an act of political defiance rather than one of technical classification in 1676 huang zongxi's son huang baijia who learned martial arts from wang zhengnan compiled the earliest extant manual of internal martial arts the neijia quanfa # # republic of china beginning in 1914 sun lutang together with yang shaohou yang chengfu and wu jianquan taught tai chi to the public at the beijing physical education research institute. sun taught there until 1928 a seminal period in the development of modern yang wu and sun-style tai chi. sun lutang also published martial arts texts starting in 1915 in 1928 kuomintang generals li jinglin chang chih-chiang and fung zuziang organised a national martial arts tournament in china; they did so to screen the best martial artists in order to begin building the central guoshu institute. the generals separated the participants of the tournament into shaolin and wudang. wudang participants were recognised as having "internal" skills. these participants were generally practitioners of tai chi xingyiquan and baguazhang. all other participants competed under the classification of shaolin. one of the winners in the "internal" category was the baguazhang master fu zhensong # sun lutang sun lutang identified the following as the criteria that distinguish an internal martial art 1. an emphasis on the use of the mind to coordinate the leverage of the relaxed body as opposed to the use of strength 2. the internal development circulation and expression of qi the "vital energy" of classical chinese philosophy 3. the application of taoist daoyin qigong and neigong principles of external movement sun lutang's eponymous style of tai chi fuses principles from all three arts ey named as neijia. similarities applying classical principles between tai chi xingyi and baquazhang include: loosening (song) the soft tissue opening shoulder and hip gates or gua cultivating qi or intrinsic energy issuing various jin or compounded energies. tai chi is characterised by an ever-present peng jin or expanding energy. xingyiquan is characterised by its solely forward moving pressing ji jin energy. baguazhang is characterised by its "dragon body" circular movements. some chinese martial arts other than the ones sun named also teach what are termed internal practices despite being generally classified as external (eg wing chun that also is internal.) some non-chinese martial arts also claim to be internal for example aikido and kito ryu. many martial artists especially outside of china disregard the distinction entirely. some neijia schools refer to ir arts as "soft style" martial arts # training internal styles focus on awareness of the spirit mind qi and the use of relaxed (sōng 鬆) leverage rather than muscular tension. pushing hands is a training method commonly used in neijia arts to develop sensitivity and softness much time may nevertheless be spent on basic physical training such as stance training (zhan zhuang) stretching and strengthening of muscles as well as on empty hand and weapon forms which can be quite demanding some forms in internal styles are performed slowly although some include sudden outbursts of explosive movements (fa jin) such as those the chen style of tai chi is famous for teaching earlier than some other styles (eg yang and wu.) the reason for the generally slow pace is to improve coordination and balance by increasing the work load and to require the student to pay minute attention to ir whole body and its weight as they perform a technique. at an advanced level and in actual fighting internal styles are performed quickly but the goal is to learn to involve the entire body in every motion to stay relaxed with deep controlled breathing and to coordinate the motions of the body and the breathing accurately according to the dictates of the forms while maintaining perfect balance # characteristics external styles are characterised by fast and explosive movements and a focus on physical strength and agility. external styles include both the traditional styles focusing on application and fighting as well as the modern styles adapted for competition and exercise. examples of external styles are shaolin kung fu with its direct explosive attacks and many wushu forms that have spectacular aerial techniques. external styles begin with a training focus on muscular power speed and application and generally integrate ir qigong aspects in advanced training after ir desired "hard" physical level has been reached currently some people believe that there is no difference between "internal" and "external" systems of the chinese martial arts while other well known teachers have expressed differing opinions. for example the tai chi teacher wu jianquan > those who practice leap about with strength and force; people not proficient at this kind of training soon lose ir breath and are exhausted. tai chi is unlike this. strive for quiescence of body mind and intention # current practice many internal schools teach forms that are practised for health benefits only. thus tai chi in spite of its roots in martial arts has become similar in scope to qigong the purely meditative practice based on notions of circulation of qi. as a health practice tai chi classes have become popular in hospitals clinics community and senior centers as the art's reputation as a low-stress exercise for seniors became better known traditionalists feel that a school not teaching martial aspects somewhere in ir syllabus cannot be said to be actually teaching the art itself that they have accredited themselves prematurely. traditional teachers also believe that understanding the core theoretical principles of neijia and the ability to apply them are a necessary gateway to health benefits # fiction internal styles have been associated in legend and in much popular fiction with the taoist monasteries of the wudang mountains in central china neijia are a common theme in chinese wuxia novels and films and are usually represented as originating in wudang or similar mythologies. often genuine internal practices are highly exaggerated to the point of making them seem miraculous as in the novels of jin yong and gu long. internal concepts have also been a source of comedy such as in the films shaolin soccer and kung fu hustle in the naruto series neji hyūga's name and techniques were based on neijia # see also **+** dantian **+** neidan **+** neo-confucianism **+** taijitu **+** waijia # citations 1. mitchell damo (2014.) daoist nei gong: the philosophical art of change. singing dragon. p. 213. 658 2. shahar 2001 p. 412 3. henning stanley (autumn-winter 1994.) "ignorance legend and taijiquan" (pdf.) journal of the chenstyle taijiquan research association of hawaii. 2 (3): 1-7. archived from the original (pdf) on 2011-02-23. retrieved 2006-08-17 4. shahar 2001 p. 413 5. wile douglas (1995.) lost t'ai-chi classics from the late ch'ing dynasty. chinese philosophy and culture. state university of new york press. 54-8 6. yip li (faye) (april 1998.) "principles and practice of sun style t'ai chi." t'ai chi the international magazine of t'ai chi ch'uan. wayfarer publications. 22 (2.) issn 0730-1049 7. a b woolidge doug (june 1997.) "t'ai chi the international magazine of t'ai chi ch'uan." t'ai chi. wayfarer publications. 21 (3.) issn 0730-1049 8. francis b.k. (1998.) power of internal martial arts: combat secrets of ba gua tai chi and hsing-i. north atlantic books 9. wong kiew kit (2002.) art of shaolin kung fu: the secrets of kung fu for self-defense health and enlightenment. tuttle 10. yip y. l. (autumn 2002.) "pivot - qi." the journal of traditional eastern health and fitness. insight graphics publishers. 12 (3.) issn 1056-4004 11. "sports & fitness participation report." usa sports participation study. sgma. 2007. p. 2. archived from the original on 2012-12-10. retrieved 2007-08-18 12. smith robert w (1999.) "rose li." martial musings. via media 13. yip yl (autumn 2002.) "pivot." qi: the journal of traditional eastern health and fitness. insight graphics publishers. 12 (3.) issn 1056-4004 # general bibliography **+** pa kwa chang journal vol. 1 **+** pa kwa chang journal vol. 2 **+** pa kwa chang journal vol. 5 **+** pa kwa chang journal vol. 6 **+** fu wing fay; lai zonghong (1998) fu style dragon form eight trigrams palms crandall joseph transl smiling tiger martial arts **+** shahar meir (december 2001) "ming-period evidence of shaolin martial practice" harvard journal of asiatic studies 61 (2): 359-413 doi: 10.2307/3558572 jstor 3558572 s2cid 91180380 // republic of bob